for me, too many noteworthy ideas in 'You Will Meet a tall dark stranger. " However, there is an absolutely brilliant plan. Of those little edges that make you remember who is Woody Allen and why all his films have always been a must to the movies.
The protagonist, you know, it's always me and always you, happily married to a beautiful, intelligent blonde, becomes obsessed with the neighbor across the street floor, which looks out the window every day for hours . The Muse (because do not let the muses, the muses do not let go) of the dime novel that is his life.
always dressed in red, heart and black hair. Music, skin, Poetry and incarnate romance behind the glass open, low in the frame, as everything that you can only see so far because closer is always (always) a mistake.
And is the story of all history. Wants it because it does not, and wants all the imaginary and empty it, the void that put all their creativity, as I confess, I loved the mystery more than I ever love any man or woman this body in my bed. Finally
muse stays with him, and me (and you) and we all moved to the floor of the girl who always wears red. And then it happens that hint. Being in the same room from which had always provided, then looks up and sees her, his (now ex) wife, transparent skin that during all those years stuck to his side, and stops his gaze for a , two, three seconds. Undressing, in the dim light, too little underwear. Beautiful, amazing, charming. So far, so close.
And within that plane (same frame, same picture, same composition, a brief plane simple and dumb that says it all), the viewer is shocked and think of all the beauty rejected, changed to one that believed differently or better question, and we realize that no one has ever definitively that if it is better to have nothing and want everything, or have it all, and not wanting any of those things.
And now, as we know, if the Muses're light, the shadows protect you from someone like you.
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